Melbourne · 00:00:00:00

Imagine. Direct. Create.

Full film ↗
Edit suite · 2026

Selected work

All work →
Why it isn't slop

How an idea gets madeScroll
Scroll

The promise

Imagine. Direct.

→

Ody.Next

Original worldbuilding.

Scenes made for social media

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Narrative

Narrative.

Commercial

Commercial.

How to

How To

BTS

Good ShoutGood Shout · 2023 – Present

Video Editing.

Traditional post-production at Good Shout. Documentary, sport and social.

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Reels

Screencraft · 2018 – 2023

Screencraft.

Post Production Supervisor & Senior Editor. TV drama, commercial, government and documentary.

How it works

Four rules,
no exceptions.

The process

Idea to
final cut.

.

3D previzAI final Click the picture to move the wipe
00:00 / 00:45
1

Cretaceous

Refs · Hover to enlarge

Example board

Storyboard.

Frames from the 3D previz · 16:9 · 0:45

1

Cretaceous

Shot 1 · 0:02
Wide and low · rex centre frame · volcano behind
3D previz frame, shot 1

The rex turns on the lens, the volcano lit behind it.

2

The blast

Shot 1 · 0:09
Wide, side-on · blast fills frame right
3D previz frame, the blast

The blast hits. Flesh burns off and the skeleton keeps running.

3

1960s

Shot 2 · 0:16
High, looking down the glass table · one sweep
3D previz frame, shot 2

One sweep down from the cigarette, and the skull is under the table.

4

1999

Shot 3 · 0:21
Camcorder, eye level in the crowd
3D previz frame, shot 3

Midnight, 31 December. The crowd opens on the dancing cat.

5

Now

Shot 4 · 0:29
Eye level · phone on the ring light · skull right
3D previz frame, shot 4

A creator films the skull in its case for the feed.

6

The future

Shot 5 · 0:43
Close on the head · lab behind
3D previz frame, shot 5

Rebuilt in the tank, the rex opens its eye.

Tools

What's in the kit

About Ody, AI filmmaker and post production editor in Melbourne

About

Ody

AI Filmmaker | Post Production Editor
Ody — Jason O'Dwyer, AI Filmmaker, MelbourneOdy

I'm a senior post-production editor and creative technician with more than a decade of broadcast delivery experience across documentary, commercial, government, sports and episodic TV. My work spans end-to-end post: editorial in Premiere Pro and Resolve, sound design, colour grading in Resolve, and leading post teams from ingest through to delivery, shaping stories in fast-turnaround environments without compromising craft.

That toolkit now extends into AI-creative production. I put emerging image and video models through traditional post workflows until they deliver commercial-grade results, not just random slop.

My focus is simple: build tight, efficient workflows, elevate the final product, and deliver punchy, fun stories that land with an audience. Hybrid or fully AI-native.

Post production editingNine Network · FIFA · Paralympics Australia · Australian Olympic Committee · Commonwealth Games Australia · Canberra Raiders · Red Bull · SBS TV

LinkedIn →

Start here

Imagine. Direct. .

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